This old guy is a large Amazon Green parrot named Trouper. And vocally militant he can sometimes be. I had some fun scrambling his portrait to caricature my impression of his ‘dark side’. He looks so much sweeter in the original photo shown here [in my blog].
His claws and beak have drawn blood. “Beware the Jabberwock, my son! The jaws that bite, the claws that catch!” – Lewis Carrol
With my apologies to his indentured caregiver, N.L.P.
A quickly paced technical tutorial on the method that I used in Photoshop is at https://www.youtube.com/watch?v=wMXt4KDXk7k.
A second sister to my recent prior floating cube piece. The whole relief is an intact, single piece of paper. A second flat graphic, attached behind the relief one, fills in the gap from which the relief sprang forth. It is not a pop-up.
A wider view is here.
Copyright William James 2017, general reproduction rights reserved, but images may be pinned or linked out elsewhere if this post is credited as the source.
Three paper shells comprise this crystalline 3-D model: the folded surface shell, folded middle shell and a flat back shell. It has two, nested interior volumes. One is behind the front shell, and the other, behind the middle shell.
In the digitally designed model, these shells were a sequence of three planes. Those planes were linked into one continuous, accordion-folded zig-zag. I suppose the product of this interesting method could still be classified among all other Kirigamis, although some might surmise I’m bending the definition to fit. In the digital model, as visualized with the origami plugin, it is one inflected but unbroken object. I had to print, cut and fold three separate paper prints to make it, in practice. It would have been too cumbersome to handle with two hands, otherwise.
My recent post showed the same Kirigami form in a single shelled design. I imagined there still could be a way to impart more depth and volume than that one had. The outer ‘butterfly wing web’ was a fun design project while learning how to make a color gradient mosaic in Adobe Illustrator.
Strathmore 451-1 paper, watercolor textured, 8″ x 9″ unfolded; Epson P-600 pigment ink printer. Copyright 2017, rights reserved by William James. It’s OK to pin or link images to a noncommercial blog, and please credit this post as the source.