Breaking the smooth surface, his head pops out of an upper plane, while several cymbals pop out of others. An avenue near the top is deeply inset between arcs of step-like folds. Those arcs surround the busker and the viewer, placing us inside of a little urban niche.
All the cut lines are gentle curves, so as to emphasize the centering effect of the curvilinear perspective, itself the effect of using a wide-angle camera lens. Fold lines always need to be straight in the one-piece kirigami format.
Turning the piece vertically, you would see this:
This work is the second part of my original series (also see Airshow).
This photo ocured in a news report about a band called Urban Funk Machine.
Printed on Red River 80 lb. Luster Card Duo #1986 in an Epson SC-P600.
All rights reserved by William M. James © 2018 .
A Fine Art Practice Unfolds In My Seventies 
yes!Let’s dance!
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